Game of thrones season 7 episode 2 discussion

Game of thrones season 7 episode 2 discussion full#
Game of thrones season 7 episode 2 discussion series#

Part of me wishes we were getting the full 10 episodes this season. Nothing like a little Dothraki light cavalry, supported by jumbo jet sized dragon air support! Although the list of things that might still be possible is rapidly shrinking to nothingness.ДЄlright, with that being said, shit is getting real! Looking like all the players are converging, with more stabby diplomacy than sneaky power plays. Rule #2 Anything that has happened in the books, but not in the show yet, and may happen in the show, should be spoilered. Conversely, if someone manages to get their hands on pirated copies that haven't aired yet, spoiler that shit.)

Same goes for anyone who thinks that just because they DVR'd it to watch it Monday night, that everyone else has to spoiler tag everything for their benefit. If you're a West Coaster, don't be bitching about a spoiler if you're stupid enough to venture into this thread in that window between the East Coast airing and West Coast airing. ('aired' meaning, it's officially streaming or aired on the East Coast. Rule #1 All aired episodes may be discussed without a spoiler tag. Time to start discussing!Д¬ribbed from the Season 6 thread, I propose the following 2 rules:

Game of thrones season 7 episode 2 discussion series#

The entire discussion and presentation was recorded and will be made available online to Friends of the ASCВ members, making it the latest entry in a multi-part series of interviews that includes ASC members Greig Fraser, Michael Goi, Edward Lachman, Matty Libatique, Seamus McGarvey, Reed Morano, Owen Roizman, Roberto Schaefer, Nancy Schreiber, CheccoВ Varese, Amelia Vincent, Gordon Willis, Darius Wolski and many more.Less than 2 months away (July 16). Middleton stayed to answer further questions from attendees after the event. A lively round of audience questions covered MiddletonвЂ™s use of color and integration of his lighting with visual effects work, and the cinematographer addressed influences ranging from Star Wars and European art house films to the paintings of Rembrandt and the beauty of the international locations in which he works. His talk about Game of Thrones led to larger discussions about working in television in general, and about the director of photographyвЂ™s collaboration with the crew and actors вЂ“ and about navigating the line between planning and responding to the moment when unforeseen challenges arise on set. Middleton also delved into the logistics of working on a show with multiple cinematographers whose work has to be coordinated without compromising each individual director of photographyвЂ™s unique vision. Middleton takes a question from the audience. He discussed the overall lighting philosophy on the show, in which everything is geared toward recreating a period look in an age without electrical lights. Supplementing the clips with still photos from the set as well as previsualization files, Middleton explained which elements in the frame were practical, which were constructed on set, and which were digitally added after the shoot. He broke this sequence down into its various components, going into great detail about the integration of lighting and production design and the practical challenges of matching shots from different shooting days and different locations. Middleton brought along clips from the show, including a major sequence from the first episode of season 7, which recently premiered on HBO. He also showed documentation relating to the schedule to convey exactly how the episodes of Game of Thrones are planned in conjunction with each other.

To this end, Middleton described the extremely close collaboration he has with the art department on the show and brought along a wealth of sketches and designs to share with the audience. Middleton addressed the challenges of this approach as well as the benefits вЂ“ the benefits being greater time for prep and coordination with other departments. He explained the unusual structure behind the seriesвЂ™ production, in which scenes for the entire season are grouped according to location, with multiple episodes by multiple directors being shot simultaneously. Middleton talked about the complex logistics of shooting Game of Thrones, a show with multiple units spread out over locations in multiple countries. That relationship led to MiddletonвЂ™s work on Game of Thrones when Podeswa started directing on the series and brought Middleton on board. Middleton spoke about his decades-long collaboration with director Jeremy Podeswa, with whom he collaborated on the feature The Five Senses in 1999. The discussion in front of a live audience focused on MiddletonвЂ™s work on the hit HBO series Game of Thrones, for which the cinematographer was nominated for multiple Emmys and CSC awards. Middleton and interviewer Jim Hemphill break down a pre-vis image used to help plan a GoT episode.